One of the biggest headaches for editors mixing footage from different cameras—some Log, some HDR, some SDR—is now gone. Automatic Tone Mapping intelligently maps colors and luminance across clips with different color spaces. You can mix iPhone HDR, Sony S-Log3, and Canon Cinema RAW on the same timeline, and Premiere will adjust each clip to match your sequence’s color space automatically. No more blown-out highlights or crushed shadows.
Adobe also admitted to several bugs in 2023 and squashed them:
Integrated into the Lumetri Color panel, this tool uses AI to reconstruct clipped highlights.
Frame.io is now deeply integrated directly into the Premiere Pro interface (no separate plugin required).