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Music videos are the oldest form of popular video. In 2024-2025, the lines between "Music Video" and "Short Film" have blurred. Indie bands like Lomba Sihir or Hindia produce 10+ minute "visual albums" that are essentially movies. Meanwhile, dangdut koplo (a modern, electronic take on traditional folk music) has seen a resurgence via TikTok, with remixes being used in millions of user-generated videos.

What is next for Indonesian entertainment and popular videos? Music videos are the oldest form of popular video

To understand the current landscape of Indonesian entertainment and popular videos, one must first look at the fall of the "soap opera" (sinetron) monopoly. For decades, Indonesian families gathered to watch melodramatic, often formulaic sinetrons. However, the rise of smartphones—Indonesia has one of the highest smartphone penetration rates in the world—disrupted this ritual. Example: The “Aku Kaya” challenge and “Sakitnya Tuh

The younger generation, Gen Z and Millennials, rejected the passive viewing of linear television. They sought interactivity, relatability, and authenticity. This gap was filled by user-generated content (UGC). YouTube launched its Indonesian version in 2012, but the real explosion occurred around 2016-2018 with the advent of unlimited data packages offered by providers like Telkomsel and Indosat. Global content (K-Dramas

Today, popular videos in Indonesia range from high-budget web series on platforms like Vidio and WeTV to raw, unpolished vlogs filmed on a phone camera. The democratization of content creation means that a teenager in Surabaya can now compete for viewership with a primetime TV host.

  • Example: The “Aku Kaya” challenge and “Sakitnya Tuh Disini” audio went global.

    • Global content (K-Dramas, Turkish dramas) is being repackaged with Indonesian voiceovers and localized memes. For example, a serious scene in a Korean drama will have an Indonesian dubbing artist adding a "Waduh" (Oh dear) or a "Aduh gile lo" (Damn, you're crazy). This adds a layer of humor that makes foreign content feel local.