25th EDITION | MODENA OCTOBER 17-19 2025 - SUBSCRIBE TO THE NEWSLETTER
by Santiago López Jover, Marcus H. Rosenmüller, Germany/Austria, 2021, 85' Original version with Italian subtitles The story, set in the 1960s in a small village in the Austrian hinterland, tells the story of the son of an innkeeper - known by everyone as the "Brat" - who continually clashes with the narrow-minded and ultra-Catholic mentality of his fellow citizens. A politically incorrect and funny animation, based on the life and works of the illustrator and cartoonist Manfred Deix. Entrance with ticket, pass and accreditation
Any Italian or foreign narrative animation film lasting 50 minutes or more. In order to qualify for this section the submitted project must be animated with any kind of technique, whether traditional or digital. Films that have been made available to the public elsewhere, including online, may not be accepted. This includes (but is not limited to) television, home video, streaming or any digital platform both in Italy and abroad. Films that have been invited to other festivals in Italy prior to September 1, 2021 but have notparticipated may compete in this category.
Any Italian or foreign narrative work created with the use of visual effects, lasting 50 minutes or more. To qualify for this section, the submitted project must use visual effects,whether using traditional or digital techniques. Films that weremade available to the public in other venues, including online, cannot be accepted. This includes (but is not limited to) television, home video, streaming or any digital platform both in Italy and abroad. Films that have been invited to other festivals in Italy prior to September 1, 2021 but have not participated may compete in this category.
Any Italian or foreign narrative animation film lasting less than 50 minutes with end credits. This category includes fiction, experimental, nonfictional or documentary works, music videos, or any other form of visual storytelling. Short films should not have premiere restrictions, nor be screenedin other festivals to be eligible forselection. All shorts that have already been presented at festivals or public events, aired on television or digital platforms, as well as home videos anywhere in the world, may be entered in this category.
Popular Entertainment Studios and Productions stands at the crossroads of creativity and commerce. As a full-service entertainment house, we specialize in developing, financing, and producing high-impact content that resonates with global audiences. Whether it’s scripted dramas, unscripted reality hits, or digital-first micro-content, our mission is to turn compelling ideas into cultural moments.
The Paramount Decree of 1948 forced studios to divest their theater chains, shattering the monopoly. Coupled with the rise of television, studios shifted from manufacturing films to financing them. This birthed the "package unit" system: a studio would provide the financing and distribution, but the production was assembled by independent producers or talent agencies (like CAA or WME). This era gave rise to the "blockbuster" mentality, initiated by films like Jaws (1975) and Star Wars (1977), shifting the industry focus toward high-concept, high-budget tentpoles.
Founded by a collective of industry veterans from major networks and streaming platforms, Popular Entertainment was built on a simple belief: great stories are universal, but the best ones feel personal. We combine the agility of an independent studio with the polish of a major production company. BrazzersExxtra 23 11 16 Jadynn Stone And Thick ...
"Echoes of the City" (2023) – A drama series exploring gentrification through the eyes of three families. Acquired by Starz. 88% on Rotten Tomatoes.
"The Last Pitch" (2024) – A documentary feature following an underdog high school baseball team. Shortlisted for the IDA Documentary Awards. Popular Entertainment Studios and Productions stands at the
"Famous for 15 Minutes" (Current) – A reality competition series streaming on Tubi, where unknowns compete for a shot at internet stardom.
"Underground Kings" (In Production) – A scripted crime thriller set in Miami’s underground car scene, slated for a 2025 release on Paramount+. we specialize in developing
We partner with platforms like Netflix, Hulu, and Amazon to create binge-worthy series. From gripping limited series to multi-season franchises, we manage every phase of production—from greenlight to wrap.
The financial architecture of a major studio production is complex, relying on a lifecycle that extends far beyond theatrical release.
Abstract The modern entertainment studio stands at a precarious intersection of unprecedented technological capability and existential economic disruption. This paper examines the transformation of entertainment studios from the rigid, vertically integrated "factory" models of the 20th century to the agile, platform-centric conglomerates of the 21st century. By analyzing the shift from physical production logistics to the dominance of Intellectual Property (IP) management, the disruption of the "streaming wars," and the emerging integration of AI and virtual production, this research outlines how studios create, distribute, and monetize cultural artifacts in a fragmented global market.
Our non-fiction division specializes in true crime, lifestyle competitions, and human-interest stories. We pride ourselves on ethical storytelling that never sacrifices entertainment for integrity.
A wide range of innovative works and immersive experiences will be considered for the Festival’s AR/VR program. We request that you provide documentation that outlines any specific logistical, spatial, or equipment needs for your project. Specific instructions for submitting different file types are contained within the application. The works realized prior to October 1, 2020 are not eligible to submit to this category.Questions regarding this specific program should be directed to
This section is for all sorts of innovative,immersive or multiple platform experiences. These projects may include mixed media products, multimedia installations, live film performances, creations designed for specific digital platforms, or a mix of all the above techniques. A precise documentation of the project features is required, specifying the space, technical background and instrumentsnecessary to realising the project. This section is intended to encourage the diverse creative community to propose innovative fiction or documentary projects. Works that have already been presented in other festivals/events may be nominated in this section, however the organisation reserves the right to carefully examinethe projects that will be premiered. If it includes interactive elements, we ask you to read carefully about the "AR/VR"section. If the project does not include any features from that category, please look at the othercategories as well. Works made before January 1, 2020 may not be entered in this category.
Any backstage video of visual effects made by Italian professionals or companies. There are no restrictions regarding previous screenings or previews that would prevent the admission to the competition. A backstage video that has already been shown to a wide audience online or in streaming, on TV or as home video, may still be submitted in this category. Works made before January 1, 2021 will not be accepted.
Any animated commercial or ADV realized by Italian companies/professionals. The works have no premiere requirements or prior screening restrictions that impact Festival eligibility. Commercials/ADV that have been screened at any number of festivals or other public theatrical exhibitions, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform anywhere in the world are eligible for this category. The works realized prior to October 1, 2020 are not eligible to submit to this category.
Any animated opening/closing titles work from Italy and outside Italy. The works have no premiere requirements or prior screening restrictions that impact Festival eligibility. Opening/closing titles that have been screened at any number of festivals or other public theatrical exhibitions, broadcast or streamed on television or the Internet, and/or released via any home video or other public distribution platform anywhere in the world are eligible for this category. The works realized prior to October 1, 2020 are not eligible to submit to this category.
Before submitting your work, please read carefullythe following regulations:
- All work smust be from after September 2021.
- Works that are not in Italian must include Italian subtitles and have a dialogue list, unless understanding dialogues or voice-over are not necessary to understanding the work itself.
- By submitting your work to the Future Film Festival, you give us permission to screen your film during the Festival’s duration, at special events, spin-offs oron other related occasions. You also grant the Festival the right to archive and stream your work online on MyMovies. The Festival will send a contract for the selected authors/producers to sign.
- The organisation does not guarantee that all submitted films will be selected, but wepromise tolet you know whether you work has been chosen by July 30, 2024.
- Please send us at least two pictures of your work, a poster, and press material that can be used for promotional purposes (Hi-Resolution JPEG - size not exceeding 3MB).