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When we hear "Bengali cinema," most of us immediately think of the legends: Satyajit Ray, Mrinal Sen, or Ritwik Ghatak. Or, in the modern context, we think of the massive commercial spectacles coming out of Tollywood (Kolkata) or the Dhallywood industry in Bangladesh.

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It is not defined by its budget, but by its voice. These are films made outside the studio system, often with handheld cameras, unknown faces, and stories that the mainstream would rather sweep under the rug.