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There is a pyramid system in Japanese music. You debut in a 200-person "Live House" (like Shibuya WWW). You graduate to a 1,000-person hall (Zepp). Finally, you reach the Dome. The journey takes a decade. The live house scene is fiercely DIY, breeding eccentric genres like Kawaii Metal (Babymetal) and Biopic Rock.

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Global demand outstrips legal supply for older anime/manga. Japan is gradually adopting simulcast and global streaming deals. There is a pyramid system in Japanese music

The DNA of modern Japanese entertainment is rooted in Edo-period (1603–1868) performance arts. Kabuki introduced codified fan interactions (kakegoe—shouted calls at specific moments) and gender-specific casting (onnagata, or male actors playing female roles). Rakugo (comic storytelling) established the intimate "fan-master" relationship that mirrors modern oshi (favorite member) culture. Post-WWII American occupation introduced television and pop music structure, which Japan rapidly "indigenized," leading to the kayōkyoku (popular music) of the 1960s and the terebi dorama (TV drama) format in the 1970s. The economic bubble of the 1980s funded experimental animation and the rise of the first major talent agencies. Finally, you reach the Dome