Q: Is the Phantom LUTs UPD free if I already bought the original? A: Yes. Joel Famularo provides free updates for life to existing customers. Log into your original purchase portal (Gumroad/Shopify) and re-download the file. The date stamp next to the zip file indicates if you have the UPD version.
Q: I see a "Gamma Mismatch" warning. A: You are likely using the FX6 version of the LUT on an FX3 clip. Ensure you downloaded the specific camera model pack. The UPD now includes color-coded file names (FX6_RED, FX3_BLUE) to prevent this.
Q: Will this work on the Sony A1 or A7RV? A: Yes, but you need the "Alpha Series UPD" specifically. The A1’s 8K sensor has a different noise pattern than the A7SIII. The standard FX3 LUT will work, but the dedicated A1 UPD provides cleaner shadow recovery.
Q: My camera says "LUT Size Mismatch."
A: You are trying to load a 65x65x65 cube file onto a camera that only accepts 33x33x33 (like the A7IV). The Phantom LUTs UPD package usually includes both sizes. Look for the folder labeled 33_Cube/.
Monitor LUTs are designed for low latency and high contrast on small screens. The Post UPD LUTs are designed for 10-bit codecs and highlight roll-off.
Correct Post Workflow:
If you shoot log footage (S-Log, V-Log, C-Log, Red Raw, or Blackmagic Film), you’ve likely heard of Phantom LUTs – the industry-favorite lookup tables designed by Joel Famularo. They are famous for providing an instant, accurate, and beautiful “developed” negative look while retaining maximum dynamic range.
But what about the “UPD” (Update) part? Many users download a Phantom LUT once and never revisit their account. That’s a mistake.
Here is everything you need to know about keeping your Phantom LUTs updated.
The LUT does not touch the recorded file. When you import footage into DaVinci Resolve, Premiere Pro, or Baselight, you will see the full LogC image unless you manually apply a Phantom LUT or a standard ARRI LogC-to-Rec709 LUT.
PHANTOM LUT QUICK CARD – ARRI ALEXAWhat it is: Monitor LUT only – desaturated, high lift What it does: Lets you see in very low light What it records: Normal LogC (full color)
SETUP: Menu > Monitoring > Look > On > Phantom > 1/2/3
PHANTOM 1 – mild (ISO 1600-6400 night) PHANTOM 2 – strong (ISO 12800 moonlight) PHANTOM 3 – extreme (ISO 25600+ near-dark)
RULES: ✅ Use for monitoring only ❌ Never bake into recording ✅ Check false color without Phantom occasionally ❌ Don't judge white balance
POST: Footage is normal LogC. No special step needed.
This guide covers everything from basic definition to on-set application and post. If you need the actual .cube files or the ARRI Look File Generator, visit ARRI's official support portal (login required).
Phantom LUTs Update: What You Need to Know
If you're a filmmaker, videographer, or colorist, you're likely familiar with LUTs (Look-Up Tables) and their importance in color grading. Recently, Phantom LUTs, a popular LUT solution, released an update that brings exciting new features and improvements. In this post, we'll dive into the details of the Phantom LUTs update and what it means for you.
What's New in Phantom LUTs Update?
The latest update from Phantom LUTs brings several significant enhancements to their already robust LUT system. Here are some of the key features:
Benefits of the Phantom LUTs Update
So, what do these new features and improvements mean for you? Here are some benefits of the Phantom LUTs update:
How to Get the Update
If you're already a Phantom LUTs user, you can download the update from their website. If you're new to Phantom LUTs, now is a great time to try out their LUTs and experience the benefits for yourself.
Conclusion
The Phantom LUTs update is a significant step forward for color grading and LUT management. With new LUTs, improved color science, and increased compatibility, this update is a must-have for anyone serious about color grading. Whether you're a seasoned pro or just starting out, Phantom LUTs has something to offer. Try out the update today and see the difference for yourself!
Phantom LUTs, created by Joel Famularo, are premium LUTs that convert camera-native log footage to a cinematic Rec.709 color space by emulating ARRI Alexa color science. Updates and new camera profiles for supported systems are provided for free, with downloads managed via email and SendOwl accounts. Access the latest updates and FAQs at joelfamularo.com
Phantom LUTS? Worth it or should I keep paying for Dehancer?
Phantom LUTs by Joel Famularo are professional conversion and emulation tools designed to give log footage from various cameras an organic ARRI Alexa look. Recent updates have consolidated the workflow and added support for new devices like the iPhone 15/16/17 Pro, DJI Osmo Pocket 3, and Panasonic S5II. Phantom LUTs Updates - Nov 2021
You can adapt the specific version numbers and camera models to fit your actual release.
Let’s address the elephant in the room: the price. Some update versions are free (minor bug fixes), while the major "Version 3 to Version 4" UPD usually requires a re-purchase or a discounted upgrade fee.
You need the UPD if:
You can skip the UPD if:
Phantom LUTs are about suggestion, not declaration. The best ones are the least noticed—felt as atmosphere and cohesion rather than a branded color stamp. Treat them as mood architects: subtle scaffolding that supports story and emotion without calling attention to itself.
If you want, I can:
The air in the edit suite was thick with the smell of ozone and over-caffeinated sweat. Elias stared at the glowing monitor, his eyes tracking the progress bar for the third time that night. "Phantom LUTs UPD – Version 4.0.1.zip"
The file name was innocuous, a routine update for a niche set of Look-Up Tables used by high-end colorists to mimic rare 70s film stocks. But the online forums had been whispering about this specific build for weeks. They called it "The Ghost in the Grade." The First Frame
Elias dragged the new LUT onto his timeline—a simple shot of a woman standing in a rain-slicked alleyway in Tokyo.
Instantly, the image shifted. It didn’t just change the colors; it changed the texture of the memory. The neon signs didn't just glow; they bled into the shadows like wet ink. But as he scrubbed through the footage, he saw it.
In the reflection of a puddle, behind the actress, stood a figure. Elias paused. He looked at the raw footage on his second monitor. The alley was empty. He looked back at the graded monitor. The figure was there—tall, blurred, wearing a coat that seemed to absorb the light around it. The Metadata
He opened the LUT's metadata, digging into the hex code. Most LUTs are simple math—input X color, output Y color. This was different. The code was dense, filled with recursive loops and encrypted strings he’d never seen in a post-production tool.
Hidden in the comments of the code was a single line of text:// UPD: RECOVERING WHAT WAS LOST IN THE COMPRESSION.
Elias felt a chill. He applied the "Phantom UPD" to other clips.
A wedding video: In the background of the church, a man who had passed away three years prior sat in the back pew, clear as day.
A nature doc: The rustling leaves didn't just move with the wind; they formed patterns that looked like frantic, silent speech. The Glitch
The "UPD" wasn't a color grade. It was a reconstruction engine. It was pulling data from somewhere outside the sensor—perhaps from the electromagnetic echoes left behind at the scene, or perhaps from somewhere more digital and darker.
The screen flickered. The figure in the Tokyo alleyway turned its head. It wasn't looking at the actress anymore. It was looking at the camera. It was looking at Elias.
He reached for the mouse to delete the file, but the cursor moved on its own. The "Phantom LUT" was no longer just an effect; it was an override. Every screen in the room—his phone, his tablet, his backup drives—began to apply the grade. The world was turning into that ink-bled, neon-shadowed version of itself. The Final Export
Elias tried to pull the power plug, but his hands felt heavy, like they were being rendered in slow motion. On the main monitor, a text box appeared, mimicking the standard export prompt: "Exporting Consciousness to 'Phantom_Final_Build'..."
He watched as his own reflection in the darkened window behind his desk began to change. His skin took on the grain of 35mm film. His eyes saturated into a piercing, cinematic blue. The update was complete. How would you like to continue this story? Should we explore who created the LUT and why?
Should the story shift to a investigative journalist trying to track down the source of the file?
Phantom LUTs are professional-grade color grading tools developed by filmmaker Joel Famularo, specifically designed to transform flat Log footage into cinematic, high-quality Rec.709 images. The "UPD" (Update) refers to the ongoing refinements and expanded camera support provided for these Look-Up Tables. Key Features of Phantom LUTs
Natural Skin Tones: These LUTs are highly regarded for their ability to maintain accurate skin tones while providing a distinct "film-like" aesthetic.
Camera-Specific Profiles: They are tailored for specific camera systems to ensure the most accurate conversion. Common versions include: Sony: Designed for S-Log2 and S-Log3 (A7SIII, FX6, FX3).
ARRI Emulation: Aimed at making footage from mirrorless cameras look like it was shot on an ARRI Alexa.
Panasonic & Fujifilm: Optimized for V-Log and F-Log profiles.
Input Conversion: They act as "Input LUTs," serving as the foundational starting point for your color grade by handling the complex math of color space transformation. How to Install and Use (Latest 2026 Workflows)
Installing the "UPD" versions typically follows standard software integration:
DaVinci Resolve: Open the Color Tab, click the Settings Gear, go to Color Management, and select Open LUT Folder. Unzip and move your Phantom LUTs there, then click Update Lists.
Adobe Premiere Pro: Use the Lumetri Color panel. Go to the Creative tab and browse for the .cube files.
Mobile/Quick Edits: Tools like CapCut now allow you to import custom .cube or .3dl Phantom LUTs directly into the Adjustment tab. Why the "UPD" Matters
Regular updates ensure compatibility with the latest camera firmware and color science changes (like Sony’s S-Cinetone or new LOG iterations). Using an outdated LUT on a new sensor can often lead to "clipping" in the highlights or strange color shifts in the shadows.
For the most recent versions and specific installation guides, you can visit the Official Phantom LUTs FAQ or check community tutorials on platforms like YouTube. Davinci Resolve LUT Import Guide | Sony FX6 & A7S3
"Phantom LUTs Update: Elevate Your Color Grading Game"
Introduction
In the world of video editing and color grading, Look Up Tables (LUTs) have become an indispensable tool for professionals and enthusiasts alike. Among the myriad of LUTs available, Phantom LUTs have garnered significant attention for their versatility and cinematic aesthetic. Here, we're excited to share an update on Phantom LUTs, including what's new, how they can transform your color grading workflow, and why they remain a favorite among video editors.
What are Phantom LUTs?
Phantom LUTs are specifically designed to offer a cinematic look that can be applied to a wide range of footage, from indie film projects to commercial and music videos. These LUTs are crafted to provide a balanced, film-like aesthetic that enhances the visual storytelling of your project without overpowering it. With an emphasis on creating a natural, immersive viewing experience, Phantom LUTs have become a go-to choice for editors looking to add depth and emotion to their visuals.
What's New in the Latest Update?
The latest update to Phantom LUTs brings several exciting features and improvements:
Benefits of Using Phantom LUTs
How to Get Started with Phantom LUTs
Getting started with Phantom LUTs is straightforward:
Conclusion
The updated Phantom LUTs offer a powerful tool for anyone looking to elevate their video editing and color grading capabilities. With their versatile, cinematic aesthetic and compatibility with a wide range of editing software, Phantom LUTs are poised to continue their popularity among professionals and hobbyists alike. Whether you're aiming to add a touch of filmic magic to your project or simply streamline your color grading process, Phantom LUTs are definitely worth exploring.
The "Phantom LUTs UPD" refers to the periodic updates released by filmmaker Joel Famularo for his popular Phantom LUTs series. These updates are designed to refine color science, improve camera matching, and add support for new camera models like the Sony A7SIII, FX3, and Blackmagic Pocket series. Key Features of Recent Updates
Recent updates (often referred to as "G2", "G3", or "2024 updates" depending on the camera pack) focus on moving the LUTs closer to the ARRI Alexa color science.
Consolidated Workflow: The previously separate "DaVinci Resolve" and "Standard" versions have been merged into a single, high-compatibility version in recent updates.
Film Emulation Overhauls: The "Film Pack" updates (like the 2022 release) completely rebuilt the Vision and Eastman LUTs.
Vision LUT: Significant improvements to highlight roll-off and skin tones.
Eastman Remastered: Rebuilt to capture a more authentic 1970s/80s vintage feel with purplish-brown tones rather than modern orange/teal grades.
Technical Improvements: Enhanced contrast curves and shadow detail to ensure blacks are rich without being "crushed".
Resolution Variants: Packs now typically include both 65x (high precision for post-production) and 33x (low-latency for in-camera monitoring) LUT files. Expert & Community Perspectives The Phantom Luts Just Got Better
The Phantom LUTs, created by cinematographer Joel Fimolaro, represent a major shift in how modern digital cameras—specifically those from Sony, Blackmagic, and Fujifilm—handle color science
. The most recent updates focus on providing a more organic, "filmic" look by emulating the industry-standard ARRI Alexa color palette. The Evolution of Phantom LUTs
Originally designed to fix the sometimes harsh or "video-like" colors of mirrorless cameras, the latest Phantom LUT updates (often referred to as Gen 2 or updated versions) provide more than just a simple color shift. They offer refined technical transformations that prioritize skin tones and highlight roll-off. Key features of the updated packs include: Alexa Emulation
: The core goal is to make footage from more affordable cameras, like the Fujifilm X-H2S Sony S-Log3
systems, look indistinguishable from high-end cinema cameras. New Variations
: Recent updates have introduced specific creative flavors such as , allowing for instant mood-setting without manual grading. Refined Shadows and Highlights
: The update specifically improves how the LUT handles deep shadows and bright highlights, ensuring that detail is preserved rather than crushed or blown out. Workflow Integration
Filmmakers often use these LUTs as a "base" for their color grade. For example, a common high-end workflow involves applying a Phantom LUT for the initial conversion to Rec.709, then adding a grain or film emulation tool like
to complete the "film look". This approach allows for a fast, consistent look across different camera brands, which is essential for professional corporate or event videography. Why the "Update" Matters
Color science is not static. As camera manufacturers release new sensors (like the Sony A7S III or Fujifilm X-T5), the way they capture light changes Phantom LUT update
ensures that the conversion math stays accurate for these newer sensors, maintaining the signature "creamy" highlight roll-off that Phantom users expect. specific camera brand (like Sony vs. Blackmagic) or help you draft a more formal technical analysis of these LUTs? My Color Grading Workflow For The "Film Look"
Phantom LUTs: The Ultimate Guide to the Latest Updates For filmmakers aiming to achieve a high-end cinematic aesthetic without the price tag of an ARRI Alexa, Phantom LUTs by Joel Famularo have become an industry benchmark. These professional-grade conversion tools are meticulously calibrated using side-by-side comparisons with an in-house ARRI Alexa to ensure scientific accuracy in color and tonality.
The most recent updates, often referred to as "UPD" in community circles, have expanded support for newer camera sensors and refined existing color science for a more seamless post-production workflow. Key Features of the Latest Update
The "UPD" version of Phantom LUTs focuses on broadening camera compatibility and enhancing the accuracy of film stock emulations.
New Camera Support: Recent updates have added specific support for the Canon C400 and C80, as well as continued refinements for Apple Log 2 on the latest iPhones.
Film Look Rebuilds: The Kodak film stock LUTs (Vision, Vision Teal, and Eastman) were recently rebuilt from the ground up for higher accuracy.
Unified Workflow: The update consolidates various versions into a single, high-resolution 65x LUT format for post-production editing, while offering 33x versions for in-camera monitoring.
Improved Skin Tones: Refinements have been made to the Fuji Eterna and Bleach LUTs specifically to soften the bleach effect and enhance natural skin tones. Core LUT Packs and Options
Phantom LUTs are typically sold in specialized packs tailored to specific camera systems, available directly from the Official Phantom LUTs Store: Description Included Variations ARRI Look Pack Replicates the iconic Alexa 709 color science. Neutral, Tungsten, Ice Blue, Jamaica, Utopia. Film Look Pack Emulates legendary film stocks for a vintage feel. Kodak Vision 3, Eastman (Remastered), Fuji Eterna, etc.. All 11 Bundle Combines both the ARRI and Film look packs. All 5 ARRI looks + 6 Film looks. Best Practices for Applying Updates
To get the most out of the updated Phantom LUTs, professional colorists recommend following a specific node-based workflow in DaVinci Resolve or Adobe Premiere Pro:
Exposure and White Balance: Always balance your Log footage before the LUT node. Use a color wheel to adjust exposure and saturation first to ensure the LUT behaves as intended.
Use 100% Intensity: Because these LUTs include built-in Color Space Transforms (CST), they are designed to be applied at full strength to properly convert Log to Rec. 709.
Color Space Settings: For Mac users, it is recommended to set the Timeline Color Space to Rec. 709-A, while Windows users should use Rec. 709 Gamma 2.4.
Tetrahedral Interpolation: Ensure your editing software is set to Tetrahedral interpolation for the highest quality 3D LUT processing. Phantom LUTs Updates - Nov 2021
Joel Famularo’s Phantom LUTs updates focus on refining ARRI Alexa emulation for various cameras, featuring improved highlight roll-off, skin tones, and expanded support for devices like the DJI Osmo Pocket 3 and Panasonic cameras. These ongoing updates are generally delivered free to previous purchasers to ensure the latest color science and optimized folder structures. Explore the latest offerings at joelfamularo.com. Cinematography & Color Grading by Joel Famularo
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Phantom Luts Upd
Q: Is the Phantom LUTs UPD free if I already bought the original? A: Yes. Joel Famularo provides free updates for life to existing customers. Log into your original purchase portal (Gumroad/Shopify) and re-download the file. The date stamp next to the zip file indicates if you have the UPD version.
Q: I see a "Gamma Mismatch" warning. A: You are likely using the FX6 version of the LUT on an FX3 clip. Ensure you downloaded the specific camera model pack. The UPD now includes color-coded file names (FX6_RED, FX3_BLUE) to prevent this.
Q: Will this work on the Sony A1 or A7RV? A: Yes, but you need the "Alpha Series UPD" specifically. The A1’s 8K sensor has a different noise pattern than the A7SIII. The standard FX3 LUT will work, but the dedicated A1 UPD provides cleaner shadow recovery.
Q: My camera says "LUT Size Mismatch." A: You are trying to load a 65x65x65 cube file onto a camera that only accepts 33x33x33 (like the A7IV). The Phantom LUTs UPD package usually includes both sizes. Look for the folder labeled
33_Cube/.Monitor LUTs are designed for low latency and high contrast on small screens. The Post UPD LUTs are designed for 10-bit codecs and highlight roll-off.
Correct Post Workflow:
If you shoot log footage (S-Log, V-Log, C-Log, Red Raw, or Blackmagic Film), you’ve likely heard of Phantom LUTs – the industry-favorite lookup tables designed by Joel Famularo. They are famous for providing an instant, accurate, and beautiful “developed” negative look while retaining maximum dynamic range.
But what about the “UPD” (Update) part? Many users download a Phantom LUT once and never revisit their account. That’s a mistake.
Here is everything you need to know about keeping your Phantom LUTs updated.
The LUT does not touch the recorded file. When you import footage into DaVinci Resolve, Premiere Pro, or Baselight, you will see the full LogC image unless you manually apply a Phantom LUT or a standard ARRI LogC-to-Rec709 LUT.
This guide covers everything from basic definition to on-set application and post. If you need the actual
.cubefiles or the ARRI Look File Generator, visit ARRI's official support portal (login required).Phantom LUTs Update: What You Need to Know
If you're a filmmaker, videographer, or colorist, you're likely familiar with LUTs (Look-Up Tables) and their importance in color grading. Recently, Phantom LUTs, a popular LUT solution, released an update that brings exciting new features and improvements. In this post, we'll dive into the details of the Phantom LUTs update and what it means for you.
What's New in Phantom LUTs Update?
The latest update from Phantom LUTs brings several significant enhancements to their already robust LUT system. Here are some of the key features:
Benefits of the Phantom LUTs Update
So, what do these new features and improvements mean for you? Here are some benefits of the Phantom LUTs update:
How to Get the Update
If you're already a Phantom LUTs user, you can download the update from their website. If you're new to Phantom LUTs, now is a great time to try out their LUTs and experience the benefits for yourself.
Conclusion
The Phantom LUTs update is a significant step forward for color grading and LUT management. With new LUTs, improved color science, and increased compatibility, this update is a must-have for anyone serious about color grading. Whether you're a seasoned pro or just starting out, Phantom LUTs has something to offer. Try out the update today and see the difference for yourself!
Phantom LUTs, created by Joel Famularo, are premium LUTs that convert camera-native log footage to a cinematic Rec.709 color space by emulating ARRI Alexa color science. Updates and new camera profiles for supported systems are provided for free, with downloads managed via email and SendOwl accounts. Access the latest updates and FAQs at joelfamularo.com phantom luts upd
Phantom LUTS? Worth it or should I keep paying for Dehancer?
Phantom LUTs by Joel Famularo are professional conversion and emulation tools designed to give log footage from various cameras an organic ARRI Alexa look. Recent updates have consolidated the workflow and added support for new devices like the iPhone 15/16/17 Pro, DJI Osmo Pocket 3, and Panasonic S5II. Phantom LUTs Updates - Nov 2021
You can adapt the specific version numbers and camera models to fit your actual release.
Let’s address the elephant in the room: the price. Some update versions are free (minor bug fixes), while the major "Version 3 to Version 4" UPD usually requires a re-purchase or a discounted upgrade fee.
You need the UPD if:
You can skip the UPD if:
Phantom LUTs are about suggestion, not declaration. The best ones are the least noticed—felt as atmosphere and cohesion rather than a branded color stamp. Treat them as mood architects: subtle scaffolding that supports story and emotion without calling attention to itself.
If you want, I can:
The air in the edit suite was thick with the smell of ozone and over-caffeinated sweat. Elias stared at the glowing monitor, his eyes tracking the progress bar for the third time that night. "Phantom LUTs UPD – Version 4.0.1.zip"
The file name was innocuous, a routine update for a niche set of Look-Up Tables used by high-end colorists to mimic rare 70s film stocks. But the online forums had been whispering about this specific build for weeks. They called it "The Ghost in the Grade." The First Frame
Elias dragged the new LUT onto his timeline—a simple shot of a woman standing in a rain-slicked alleyway in Tokyo.
Instantly, the image shifted. It didn’t just change the colors; it changed the texture of the memory. The neon signs didn't just glow; they bled into the shadows like wet ink. But as he scrubbed through the footage, he saw it.
In the reflection of a puddle, behind the actress, stood a figure. Elias paused. He looked at the raw footage on his second monitor. The alley was empty. He looked back at the graded monitor. The figure was there—tall, blurred, wearing a coat that seemed to absorb the light around it. The Metadata
He opened the LUT's metadata, digging into the hex code. Most LUTs are simple math—input X color, output Y color. This was different. The code was dense, filled with recursive loops and encrypted strings he’d never seen in a post-production tool.
Hidden in the comments of the code was a single line of text:
// UPD: RECOVERING WHAT WAS LOST IN THE COMPRESSION.Elias felt a chill. He applied the "Phantom UPD" to other clips.
A wedding video: In the background of the church, a man who had passed away three years prior sat in the back pew, clear as day.
A nature doc: The rustling leaves didn't just move with the wind; they formed patterns that looked like frantic, silent speech. The Glitch
The "UPD" wasn't a color grade. It was a reconstruction engine. It was pulling data from somewhere outside the sensor—perhaps from the electromagnetic echoes left behind at the scene, or perhaps from somewhere more digital and darker.
The screen flickered. The figure in the Tokyo alleyway turned its head. It wasn't looking at the actress anymore. It was looking at the camera. It was looking at Elias.
He reached for the mouse to delete the file, but the cursor moved on its own. The "Phantom LUT" was no longer just an effect; it was an override. Every screen in the room—his phone, his tablet, his backup drives—began to apply the grade. The world was turning into that ink-bled, neon-shadowed version of itself. The Final Export
Elias tried to pull the power plug, but his hands felt heavy, like they were being rendered in slow motion. On the main monitor, a text box appeared, mimicking the standard export prompt: "Exporting Consciousness to 'Phantom_Final_Build'..."
He watched as his own reflection in the darkened window behind his desk began to change. His skin took on the grain of 35mm film. His eyes saturated into a piercing, cinematic blue. The update was complete. How would you like to continue this story? Should we explore who created the LUT and why?
Should the story shift to a investigative journalist trying to track down the source of the file?
Phantom LUTs are professional-grade color grading tools developed by filmmaker Joel Famularo, specifically designed to transform flat Log footage into cinematic, high-quality Rec.709 images. The "UPD" (Update) refers to the ongoing refinements and expanded camera support provided for these Look-Up Tables. Key Features of Phantom LUTs
Natural Skin Tones: These LUTs are highly regarded for their ability to maintain accurate skin tones while providing a distinct "film-like" aesthetic.
Camera-Specific Profiles: They are tailored for specific camera systems to ensure the most accurate conversion. Common versions include: Sony: Designed for S-Log2 and S-Log3 (A7SIII, FX6, FX3). Q: Is the Phantom LUTs UPD free if
ARRI Emulation: Aimed at making footage from mirrorless cameras look like it was shot on an ARRI Alexa.
Panasonic & Fujifilm: Optimized for V-Log and F-Log profiles.
Input Conversion: They act as "Input LUTs," serving as the foundational starting point for your color grade by handling the complex math of color space transformation. How to Install and Use (Latest 2026 Workflows)
Installing the "UPD" versions typically follows standard software integration:
DaVinci Resolve: Open the Color Tab, click the Settings Gear, go to Color Management, and select Open LUT Folder. Unzip and move your Phantom LUTs there, then click Update Lists.
Adobe Premiere Pro: Use the Lumetri Color panel. Go to the Creative tab and browse for the
.cubefiles.Mobile/Quick Edits: Tools like CapCut now allow you to import custom
.cubeor.3dlPhantom LUTs directly into the Adjustment tab. Why the "UPD" MattersRegular updates ensure compatibility with the latest camera firmware and color science changes (like Sony’s S-Cinetone or new LOG iterations). Using an outdated LUT on a new sensor can often lead to "clipping" in the highlights or strange color shifts in the shadows.
For the most recent versions and specific installation guides, you can visit the Official Phantom LUTs FAQ or check community tutorials on platforms like YouTube. Davinci Resolve LUT Import Guide | Sony FX6 & A7S3
"Phantom LUTs Update: Elevate Your Color Grading Game"
Introduction
In the world of video editing and color grading, Look Up Tables (LUTs) have become an indispensable tool for professionals and enthusiasts alike. Among the myriad of LUTs available, Phantom LUTs have garnered significant attention for their versatility and cinematic aesthetic. Here, we're excited to share an update on Phantom LUTs, including what's new, how they can transform your color grading workflow, and why they remain a favorite among video editors.
What are Phantom LUTs?
Phantom LUTs are specifically designed to offer a cinematic look that can be applied to a wide range of footage, from indie film projects to commercial and music videos. These LUTs are crafted to provide a balanced, film-like aesthetic that enhances the visual storytelling of your project without overpowering it. With an emphasis on creating a natural, immersive viewing experience, Phantom LUTs have become a go-to choice for editors looking to add depth and emotion to their visuals.
What's New in the Latest Update?
The latest update to Phantom LUTs brings several exciting features and improvements:
Benefits of Using Phantom LUTs
How to Get Started with Phantom LUTs
Getting started with Phantom LUTs is straightforward:
Conclusion
The updated Phantom LUTs offer a powerful tool for anyone looking to elevate their video editing and color grading capabilities. With their versatile, cinematic aesthetic and compatibility with a wide range of editing software, Phantom LUTs are poised to continue their popularity among professionals and hobbyists alike. Whether you're aiming to add a touch of filmic magic to your project or simply streamline your color grading process, Phantom LUTs are definitely worth exploring.
The "Phantom LUTs UPD" refers to the periodic updates released by filmmaker Joel Famularo for his popular Phantom LUTs series. These updates are designed to refine color science, improve camera matching, and add support for new camera models like the Sony A7SIII, FX3, and Blackmagic Pocket series. Key Features of Recent Updates
Recent updates (often referred to as "G2", "G3", or "2024 updates" depending on the camera pack) focus on moving the LUTs closer to the ARRI Alexa color science.
Consolidated Workflow: The previously separate "DaVinci Resolve" and "Standard" versions have been merged into a single, high-compatibility version in recent updates.
Film Emulation Overhauls: The "Film Pack" updates (like the 2022 release) completely rebuilt the Vision and Eastman LUTs.
Vision LUT: Significant improvements to highlight roll-off and skin tones.
Eastman Remastered: Rebuilt to capture a more authentic 1970s/80s vintage feel with purplish-brown tones rather than modern orange/teal grades. Monitor LUTs are designed for low latency and
Technical Improvements: Enhanced contrast curves and shadow detail to ensure blacks are rich without being "crushed".
Resolution Variants: Packs now typically include both 65x (high precision for post-production) and 33x (low-latency for in-camera monitoring) LUT files. Expert & Community Perspectives The Phantom Luts Just Got Better
The Phantom LUTs, created by cinematographer Joel Fimolaro, represent a major shift in how modern digital cameras—specifically those from Sony, Blackmagic, and Fujifilm—handle color science
. The most recent updates focus on providing a more organic, "filmic" look by emulating the industry-standard ARRI Alexa color palette. The Evolution of Phantom LUTs
Originally designed to fix the sometimes harsh or "video-like" colors of mirrorless cameras, the latest Phantom LUT updates (often referred to as Gen 2 or updated versions) provide more than just a simple color shift. They offer refined technical transformations that prioritize skin tones and highlight roll-off. Key features of the updated packs include: Alexa Emulation
: The core goal is to make footage from more affordable cameras, like the Fujifilm X-H2S Sony S-Log3
systems, look indistinguishable from high-end cinema cameras. New Variations
: Recent updates have introduced specific creative flavors such as , allowing for instant mood-setting without manual grading. Refined Shadows and Highlights
: The update specifically improves how the LUT handles deep shadows and bright highlights, ensuring that detail is preserved rather than crushed or blown out. Workflow Integration
Filmmakers often use these LUTs as a "base" for their color grade. For example, a common high-end workflow involves applying a Phantom LUT for the initial conversion to Rec.709, then adding a grain or film emulation tool like
to complete the "film look". This approach allows for a fast, consistent look across different camera brands, which is essential for professional corporate or event videography. Why the "Update" Matters
Color science is not static. As camera manufacturers release new sensors (like the Sony A7S III or Fujifilm X-T5), the way they capture light changes Phantom LUT update
ensures that the conversion math stays accurate for these newer sensors, maintaining the signature "creamy" highlight roll-off that Phantom users expect. specific camera brand (like Sony vs. Blackmagic) or help you draft a more formal technical analysis of these LUTs? My Color Grading Workflow For The "Film Look"
Phantom LUTs: The Ultimate Guide to the Latest Updates For filmmakers aiming to achieve a high-end cinematic aesthetic without the price tag of an ARRI Alexa, Phantom LUTs by Joel Famularo have become an industry benchmark. These professional-grade conversion tools are meticulously calibrated using side-by-side comparisons with an in-house ARRI Alexa to ensure scientific accuracy in color and tonality.
The most recent updates, often referred to as "UPD" in community circles, have expanded support for newer camera sensors and refined existing color science for a more seamless post-production workflow. Key Features of the Latest Update
The "UPD" version of Phantom LUTs focuses on broadening camera compatibility and enhancing the accuracy of film stock emulations.
New Camera Support: Recent updates have added specific support for the Canon C400 and C80, as well as continued refinements for Apple Log 2 on the latest iPhones.
Film Look Rebuilds: The Kodak film stock LUTs (Vision, Vision Teal, and Eastman) were recently rebuilt from the ground up for higher accuracy.
Unified Workflow: The update consolidates various versions into a single, high-resolution 65x LUT format for post-production editing, while offering 33x versions for in-camera monitoring.
Improved Skin Tones: Refinements have been made to the Fuji Eterna and Bleach LUTs specifically to soften the bleach effect and enhance natural skin tones. Core LUT Packs and Options
Phantom LUTs are typically sold in specialized packs tailored to specific camera systems, available directly from the Official Phantom LUTs Store: Description Included Variations ARRI Look Pack Replicates the iconic Alexa 709 color science. Neutral, Tungsten, Ice Blue, Jamaica, Utopia. Film Look Pack Emulates legendary film stocks for a vintage feel. Kodak Vision 3, Eastman (Remastered), Fuji Eterna, etc.. All 11 Bundle Combines both the ARRI and Film look packs. All 5 ARRI looks + 6 Film looks. Best Practices for Applying Updates
To get the most out of the updated Phantom LUTs, professional colorists recommend following a specific node-based workflow in DaVinci Resolve or Adobe Premiere Pro:
Exposure and White Balance: Always balance your Log footage before the LUT node. Use a color wheel to adjust exposure and saturation first to ensure the LUT behaves as intended.
Use 100% Intensity: Because these LUTs include built-in Color Space Transforms (CST), they are designed to be applied at full strength to properly convert Log to Rec. 709.
Color Space Settings: For Mac users, it is recommended to set the Timeline Color Space to Rec. 709-A, while Windows users should use Rec. 709 Gamma 2.4.
Tetrahedral Interpolation: Ensure your editing software is set to Tetrahedral interpolation for the highest quality 3D LUT processing. Phantom LUTs Updates - Nov 2021
Joel Famularo’s Phantom LUTs updates focus on refining ARRI Alexa emulation for various cameras, featuring improved highlight roll-off, skin tones, and expanded support for devices like the DJI Osmo Pocket 3 and Panasonic cameras. These ongoing updates are generally delivered free to previous purchasers to ensure the latest color science and optimized folder structures. Explore the latest offerings at joelfamularo.com. Cinematography & Color Grading by Joel Famularo
Nice
need these presets
That's amazing!