Rch Kimi Ngangkang Pamer Lubang Meki Id 13727799 Mangga - Indo18 [TESTED]
| Trait | Description | |-------|-------------| | Tree Vigor | Semi‑erect, compact canopy; ideal for high‑density orchards (≈ 4 m spacing) | | Flowering | Mid‑season (mid‑April to early May), synchronized across the orchard—facilitates efficient pollination | | Fruit Set | > 80 % under optimal pollination; low incidence of premature fruit drop | | Yield | 12–15 kg tree⁻¹ season⁻¹ (≈ 25 % higher than the benchmark Manalagi) | | Harvest Window | 115 ± 3 days after flowering; narrow window aids uniform post‑harvest handling | | Disease Resistance | Strong tolerance to Anthracnose (Colletotrichum gloeosporioides) and Mango Leaf Spot (Pseudocercospora amaranthi) | | Abiotic Stress | Good performance under saline‑prone soils and intermittent drought—thanks to deep rooting and efficient water use | | Post‑Harvest Longevity | Up to 12 days at 13 °C with 85 % relative humidity; retains firmness and aroma |
These traits make Kimi Ngangkang especially attractive for both smallholder farms and large‑scale commercial plantations seeking a reliable, low‑input mango variety. | Trait | Description | |-------|-------------| | Tree
Preserving this accession safeguards alleles associated with late‑season fruiting, disease tolerance, and a unique aromatic profile—traits valuable for future breeding programmes aimed at climate‑resilient mango cultivars. and ritual performances. In 2023
Indonesia’s rural cultural heritage (RCH) remains a contested terrain where state‑led preservation policies intersect with grassroots cultural production. The Mangga district—characterised by a mosaic of Sundanese, Baduy, and Javanese traditions—has experienced rapid agricultural intensification and tourism‑driven development, threatening intangible cultural assets such as kain tradisional weaving, oral epics, and ritual performances. online marketplace listing
In 2023, the local artist‑researcher Kimi Ngangkang launched “Pamer Lubang Meki”, a site‑specific exhibition staged within the abandoned lubang (sinkhole) of the Meki riverbank. The project’s title merges the Indonesian pamer (“exhibition”) with the local toponym Lubang Meki, invoking both a physical space and a metaphorical “hole” in collective memory.
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