How to Have a Super Brain | Jim Kwik
The James Altucher ShowNovember 16, 202301:27:2380.09 MB

Sublab Presets Official

After a childhood injury gave him some brain damage, Jim Kwik focused his energy on turning his brain into a super machine, exercising his brain until he could use it to as full a capacity as possible. The results can be found in his excellent book "Limitless", which now has an expanded edition for its 10th anniversary. We welcome Jim back to celebrate the new book and help James improve his brain! Limitless

Sublab Presets Official

Even with great Sublab presets, producers ruin their mixes. Avoid these pitfalls:

Mistake #1: Overloading the "Heat" knob. The "Heat" module adds distortion. When scrolling presets, many turn Heat up to 100%. In a solo mix, this sounds aggressive. In a full track, it eats your headroom. Keep Heat between 30-60%.

Mistake #2: Ignoring the "Space" module. Many Sublab presets have reverb (Space) turned on. Reverb on sub-bass creates phase issues. Always check if Space is active. If your bass sounds muddy in the club, it is the reverb.

Mistake #3: Using the same preset for a whole song. Your ears fatigue to the same frequency. Automate a change: Use a "Long Tail" preset for the chorus, but a "Short Pluck" preset for the pre-chorus.

The most annoying problem in bass music is "phase cancellation" when layering a sub with a kick drum. Sublab presets are designed with a built-in "Outlaw" mode (inspired by the classic "Outlaw 808"). Many presets automatically sidechain or duck phase-interfering frequencies, saving you 2 hours of manual gain staging.

Sublab presets succeeded because they treat electronic sounds as emotional objects. They're not trying to emulate analog synths from 1975 or digital hybrids from 2050. They exist in a foggy present, where every bass hit carries a story, and every pad holds a memory you haven't lived yet. Whether you produce music or just listen closely, Sublab reminds us that presets aren't cheating — they're collaborators. sublab presets

SubLab and SubLab XL presets are widely considered the industry gold standard

for 808s and sub-bass. While standard bass synths like Serum offer more general sound design control, SubLab’s presets are specifically engineered to provide deep, punchy low-end that is "track-ready" with almost no additional mixing required. The Verdict: Is It Worth It? Sound Quality:

5/5 – Rich, weighty, and spectrally "present" subs that cut through mixes easily. Ease of Use:

5/5 – Presets are organized into logical packs, and the interface is highly intuitive. Versatility:

4/5 – Primarily built for Trap, Hip-Hop, and Drill, though it excels in any bass-heavy genre like DnB or House. Preset Highlights Future Audio Workshop Sublab XL - Equipboard Even with great Sublab presets , producers ruin their mixes

Sublab’s presets excel at “wistful” and “nostalgic” vibes. Many patches feature:

If you meant something else by "sublab presets" (such as a specific preset pack or a different software entirely), please clarify! Otherwise, this guide applies to the Future Waves Sublab plugin.

Whether you are producing drill, trap, or experimental lo-fi, having a library of high-quality SubLab presets is essential for creating mix-ready low-end. As the "best 808 plugin" on the market, Future Audio Workshop's SubLab and its expanded successor, SubLab XL, provide a dedicated workflow for sculpting bass that hits hard on everything from club systems to smartphone speakers.

This guide explores the best official and third-party preset packs, explains how to install them, and highlights the new features in SubLab XL that take these sounds to the next level. Top SubLab Preset Packs for 2026

Most SubLab users start with the factory library, but expansion packs are where the true "signature" sounds live. Official SubLab Packs from FAW include: When scrolling presets, many turn Heat up to 100%

Richie Souf Packs (Vol. 1 & Red): Essential for modern trap, featuring the signature distorted 808s used for artists like Future and Playboi Carti.

DECAP – 808s That Knock: Created by the producer behind the famous "Drum That Knock" series, these presets are known for their punchy, clean transients.

Hits DNA (Vol. 1-3): Meticulously recreated 808s from chart-topping tracks by Travis Scott, DaBaby, and Megan Thee Stallion.

Divine Bass: Sound design expert Sean Divine provides track-ready subs that require minimal post-processing.

Crushed II: Best for those seeking heavy, distorted, and compressed industrial bass. New Preset Capabilities in SubLab XL

If you are moving from the original plugin to SubLab XL, your sound palette expands significantly: SubLab XL - Future Audio Workshop

Here’s a structured, critical review of Sublab presets based on common user feedback, sound design quality, and their place in modern electronic music production.