In the age of Spotify and algorithmic playlists, The Fall remains a stubborn anomaly. They didn't chase trends; they created a wall of noise that trends crashed against. Mark E. Smith passed away in 2018, leaving behind a legacy that is currently being rediscovered by a generation tired of polished, over-produced music.
If you download this, don't just listen to the hits. Dive into the 10-minute rambling tracks like "America Hatte Merchants." Listen to the way Smith sp
In the late 2000s, the digital world was a wilder, less regulated frontier. For fans of
—the legendary, prolific post-punk band led by the cantankerous Mark E. Smith—this era was defined by a specific kind of quest: the hunt for the ultimate "blogspot link." The Digital Archive of Mark E. Smith
The Fall’s discography is a labyrinth. With over 30 studio albums, dozens of live recordings, and endless "bootleg" sessions, keeping up was a full-time job. Before streaming services consolidated everything into a single interface, the band’s history was scattered across the "Blogspot Archipelago." The Rare & The Raw : Sites with names like Total Fallness Hip Priest Treasures
became digital cathedrals. They didn't just host links; they hosted meticulously scanned liner notes and stories of seeing the band in 1982 in a half-empty pub. The RapidShare Ritual
: Finding the "fall discography blogspot link" usually led to a page of dead links and one shimmering, active MediaFire or RapidShare mirror. You’d click, wait the 60-second countdown, and pray the file wasn't a virus or a low-bitrate radio rip. A Community of Curators
These blogs were curated by "The Fall-ists"—obsessive collectors who felt the band’s music was too important to be lost to out-of-print vinyl. For them, a Blogspot link wasn't just a file; it was a curated entry point into Smith's jagged, working-class surrealism. The Transition
: As the 2010s rolled in, the "DMCA takedown" era began. One by one, these blogs vanished. The links turned into 404 errors, leaving behind only the text of the blogger’s deep-dive analysis. The Legacy
: Today, while most of The Fall’s catalog is on Spotify or Apple Music, the true "deep" discography—the BBC sessions, the chaotic live sets from 1978, and the obscure B-sides—still lives in the archives of those who remember the precise search string: the fall discography blogspot
The "blogspot link" represents a time when music felt like a secret shared between strangers, a digital crate-digging experience that required patience, luck, and a deep love for the of the fall. specific album from The Fall's catalog, or do you want to know which are still missing from modern streaming?
The Fall, a highly influential and innovative British post-punk band, has a vast and diverse discography that spans over four decades. Formed in 1977 in Manchester, England, the band was led by the enigmatic and prolific Mark E. Smith, who was the primary songwriter and only constant member throughout their history.
Here's a brief overview of their discography:
Some notable songs and albums from The Fall's discography include: the+fall+discography+blogspot+link
The Fall's music often explored themes of everyday life, politics, and social commentary, with Mark E. Smith's distinctive vocals and lyrics at the forefront. Their influence can be seen in many later bands and artists, and their discography remains a fascinating and rewarding listen for fans of post-punk and alternative music.
I’m unable to provide direct links to blogspot (or any other) pages that host copyrighted material like The Fall’s discography without authorization. However, I can write you a review of The Fall’s discography as a whole, focusing on its scope, importance, and highlights—which is often what fans searching for those links truly want: a critical guide to navigate the band’s massive output.
Here is a review of The Fall’s discography:
The Fall: A Discography as a Perpetual, Glorious Collapse
To attempt a linear “review” of The Fall’s discography is to misunderstand the band entirely. From 1978 until Mark E. Smith’s death in 2018, The Fall didn’t release albums; they released dispatches from a parallel, greasy, and brilliantly paranoid England. With over 30 studio LPs, countless live albums, Peel Sessions (a legendary 24 of them), and singles, the discography is less a mountain to climb and more a collapsing mine shaft you fall into.
The Essential Era (1978–1982): The Birth of the "Nord West" Grunt The early records are jagged, repetitive, and hypnotic. Live at the Witch Trials (1979) introduces Smith’s sneer over angular punk. Dragnet (1979) is murkier, almost post-punk blues. But the masterpiece here is Hex Enduction Hour (1982). Recorded in Iceland and rock’s coldest pub, it features two drummers and Smith ranting about hip priests and the "North West" as if his pint glass is a microphone. Essential tracks: "Hip Priest," "The Classical."
The Accessible Peak (1983–1985): Pop Through a Gutter Surprisingly, The Fall had a pop streak—it was just diseased. Perverted by Language (1983) gives you "Eat Y’Self Fitter." The Wonderful and Frightening World of The Fall (1984) and This Nation’s Saving Grace (1985) are their most “listenable” albums. The latter contains the iconic "Cruiser’s Creek" and "Spoilt Victorian Child." Smith channels working-class scorn into danceable Krautrock grooves. Brix Smith’s arrival (guitar/vocals) adds melody without sanitizing the filth.
The Mid-Period Chaos (1986–1995): Lineup Roulette As members came and went (often fired mid-tour), the sound shifted from garage-psych (Bend Sinister, 1986) to house-music detours (Extricate, 1990) to snarling rock (Middle Class Revolt, 1994). This Nation’s Saving Grace's follow-up, Bend Sinister, is claustrophobic and brilliant. The underrated I Am Kurious Oranj (1988) is a ballet about Dutch royalty. You either admire the perversity or throw your hands up.
The Late Period (1996–2018): Consistency in Inconsistency Critics wrote them off dozens of times, but albums like The Light User Syndrome (1996), Levitate (1997—featuring a drum machine and malfunctioning synths), and The Real New Fall LP (Formerly Country on the Click) (2003) prove Smith’s dictum: "If it’s me and your granny on bongos, it’s The Fall." The late-career highlight is Your Future Our Clutter (2010)—tight, paranoid, and surprisingly heavy. Sub-Lingual Tablet (2015) is as abrasive as anything from 1980.
Why the blogspot links exist: Because no streaming service has the full, chaotic truth. The Peel Sessions box set (6 CDs) is essential. Live albums like A Part of America Therein, 1981 capture the onstage fights and feedback. And dozens of singles (e.g., "How I Wrote ‘Elastic Man’") never appear on main LPs.
Final verdict: If you want pristine production or empathy, go elsewhere. If you want language scraped raw, drum machines abused, and one man snarling at the end of the world every Tuesday night for 40 years—start with This Nation’s Saving Grace, then buy Hex Enduction Hour, then accept that you’ll never own it all. And that’s the point.
To any fan hunting blogspot links: The legally available compilations "50,000 Fall Fans Can't Be Wrong" and the Peel Sessions box set are your ethical entry points. After that, if you dig deeper… you’re on your own, but you’ll have excellent company.
Title: The Last Good Link
Mara had been chasing the signal for three years.
It started as a footnote in a long-deleted forum post from 2009: “For the real Brix-era outtakes, you need the Fall discography Blogspot link. If you know, you know.” She didn’t know. But she was a doctoral candidate in obsolete media studies, which meant she spent her days wading through the digital equivalent of a landfill.
The Fall was her white whale. Not just the band—the post-punk, perpetually line-up-changing, Mark E. Smith-vehicle of glorious noise—but the archive. Rumored to contain every Peel session, every misprinted single sleeve, every coughing fit between songs from a 1985 gig in Preston. The Blogspot link was a ghost. It had been taken down by Blogger’s spam filters in 2012, resurrected on a mirror site in 2014, and then buried under a mountain of geocities corpses.
Tonight, she found it.
Not through the Wayback Machine. Not through a torrent hash. But through a .onion address scrawled on the margin of a vinyl copy of Hex Enduction Hour in a basement shop in Prague. The shopkeeper had looked at her with rheumy eyes and said, “He didn’t want it archived. He wanted it lost. But lost things still hum.”
Mara typed the address into a virtual machine running Windows XP. The browser—Netscape Navigator, for authenticity—groaned to life. The Blogspot template was a relic: lime green text on a black background, a hit counter stuck at 00047, and a single post dated October 12, 2006.
Title: The Fall – Complete Discography (Studio + Live + Rehearsals + Mark Reading Shopping Lists into a Dictaphone)
Body: “Here’s everything. Do what you want. Don’t email me.”
Below that was a single link: fall_disco_full.zip
No file size listed. No password hint. No comments.
Mara clicked.
The download took seven seconds—too fast. She extracted the folder. Inside: 10,432 MP3s, each named with a date and a cryptic location. But at the very top, a text file: readme_this_is_not_music.txt
She opened it.
“You found the real link. Good. The MP3s are real—every shitty soundboard, every feedback loop, every on-stage fistfight. But the real treasure is Track 004 in the ‘Rehearsals ’83’ folder. It’s not a song. It’s a voice note Mark left for himself before the Perverted by Language sessions. He says where he buried the master tape of the lost album. The one even the band never heard.
I’m putting the link back up for one hour. Then it’s gone again. Some signals deserve a second listener.”
Mara scrolled down. The file had a last modified date of today.
She plugged in her headphones, found Track 004, and pressed play.
A cough. The scrape of a chair. And then, Mark E. Smith’s voice, clearer than any official release, whispering coordinates into a dead answering machine.
Outside her window, the city hummed. Somewhere, a server blinked off. The link went dead again.
But Mara was already grabbing her coat. The lost album wasn't lost anymore. It was just waiting.
The most comprehensive Blogspot resource for The Fall's discography is The Fall In Fives, which features a definitive Complete List of Fall Albums. Discography Overview
The Fall released 31 studio albums during their career from 1976 to 2018. Key eras covered on the blog include:
Early Studio Albums: Starting from the 1979 debut Live At The Witch Trials through post-punk essentials like Grotesque (1980) and Hex Enduction Hour (1982).
Commercial & Cult Peaks: Detailed reviews of albums such as This Nation's Saving Grace (1985), The Frenz Experiment (1988), and The Infotainment Scan (1993).
Compilations & Sessions: A dedicated Summary of Fall Compilations, which ranks various collections from "Essential" (Grade A) to "Completionist Only".
Live Recordings: The blog also provides a buying guide to the band's extensive live catalog, helping fans navigate through over 50 live releases. Specialized Discography Lists The Fall - List of Covers In the age of Spotify and algorithmic playlists,
| Album | Year | Key Track | Where to Buy | |-------|------|------------|----------------| | Live at the Witch Trials | 1979 | "Rebellious Jukebox" | Beggars Banquet / Amazon | | Dragnet | 1979 | "Flat of Angles" | Cherry Red | | Grotesque (After the Gramme) | 1980 | "The NWRA" | Cherry Red | | Hex Enduction Hour | 1982 | "Hip Priest" | Cherry Red | | Perverted by Language | 1982 | "Eat Y’self Fitter" | Cherry Red | | The Wonderful and Frightening World Of… | 1984 | "C.R.E.E.P." | Beggars Banquet | | This Nation’s Saving Grace | 1985 | "Cruiser’s Creek" | Beggars Banquet | | Bend Sinister | 1986 | "Mr. Pharmacist" | Beggars Banquet | | The Frenz Experiment | 1988 | "Victoria" | Beggars Banquet | | Reformation Post TLC | 2007 | "Insult Song" | Narnack Records | | New Facts Emerge | 2017 | "Couples vs Jobless Mid 30s" | Cherry Red |
This search query points to an old Blogspot (Blogger) page — often a fan-run archive — that attempted to compile The Fall’s massive, chaotic discography (30+ studio albums, dozens of live albums, and hundreds of singles/sessions). These blogs typically provided direct download links (Mega, MediaFire, Zippyshare, etc.) or track listings with streaming embeds.