Discografia De Ricardo Arjona 1985-2014 < Working – 2026 >
Questo periodo è segnato da una forte presenza mediatica, tournée impegnative e progetti che uniscono dimensione discografica e spettacolo dal vivo. Arjona consolida una base di fan solida e internazionale.
In questo arco temporale Arjona non solo pubblica album ma costruisce attorno a essi tour e prodotti multimediali che amplificano il messaggio delle canzoni, consolidando la sua immagine di artista indipendente e narratore sociale.
After moving to Mexico and signing with Sony Music, Arjona refined his "Trova" influences with pop production. This era solidified his status as a superstar.
1996: Si El Norte Fuera El Sur
1998: Sin Daños a Terceros
2000: Galería Caribe
2002: Santo Pecado
2005: Adentro
Ricardo Arjona (born 1964 in Guatemala) is one of Latin America’s most distinctive singer-songwriters. Unlike many pop stars, Arjona built his career on narrative lyrics, social critique, and a fusion of ballads, folk, rock, and Latin rhythms. Between 1985 and 2014, he released 15 studio albums, transitioning from a romantic troubadour to a controversial, intellectually driven artist.
This album marked the first time Arjona publicly tackled religion and hypocrisy—a theme that would become a signature. The title translates to "Jesus, Verb not Noun," criticizing organized religion while embracing spirituality. Discografia De Ricardo Arjona 1985-2014
The story begins in 1985 with the release of Déjame decir que te amo. Produced while Arjona was still a teacher at a rural school, this album remains a obscure curiosity. With a sound deeply rooted in the kitsch electronic pop of the 80s, it bears little resemblance to his later work. Arjona himself often dismisses this era, considering his true artistic birth to have occurred years later.
That rebirth happened in 1993 with Animal Nocturno. This album was the dividing line between the anonymous singer and the star. With raw production and lyrics that blended visceral eroticism with everyday realities, songs like "Mujeres" and "Primera Vez" shattered the polished mold of Latin ballads. Arjona proved that a man could sing about heartbreak while wearing a leather jacket and sporting an unshaven look.
This period is characterized by musical exploration and a lack of commercial traction. Arjona famously refers to his first two albums as "amateur" mistakes that allowed him to learn his craft. Questo periodo è segnato da una forte presenza
1987: Jesus, Verbo No Sustantivo
1991: Del Otro Lado de la Cama


