Nonton Newness -2017-
In the landscape of modern romance, the path to love is no longer blocked by a lack of options but paralyzed by an excess of them. Drake Doremus’s 2017 film Newness serves as a cinematic scalpel, dissecting the messy, digital heart of millennial dating. The title itself is a double-edged sword: it refers to the initial, intoxicating rush of a new partner, but also to the relentless, destructive demand for novelty fostered by dating apps. Through the turbulent relationship of two Los Angeles singles, Martin and Gabi, the film argues that technology has not ruined our ability to love, but rather has exacerbated our deepest insecurities, turning relationships into commodities to be consumed and discarded once the "newness" wears off.
The film opens with a familiar ritual of the 2010s: the frictionless swipe. Both protagonists are users of a hookup app called "Newness," which promises connection without commitment. Doremus masterfully captures the hollow dopamine rush of this process. The app is a mirror reflecting a culture that prioritizes instant gratification over deep investment. Martin (Nicholas Hoult), a pharmacist, and Gabi (Laia Costa), a physical therapist, meet the old-fashioned way—in a bar—yet their relationship is immediately colored by the digital ethos they came from. Their initial chemistry is electric precisely because it feels unfiltered. They confess secrets, traumas, and insecurities with a raw vulnerability that seems to transcend the superficial world of swiping.
However, the core tragedy of Newness is that this raw authenticity cannot be sustained without trust. As the initial high fades into the mundane realities of cohabitation and routine, both partners fall back on the very digital crutches they sought to escape. The "open phone policy" they adopt—a desperate attempt to prove loyalty—backfires, transforming intimacy into surveillance. Martin’s eye wanders to Instagram likes; Gabi re-downloads the app out of boredom and insecurity. The film’s most devastating insight is that the app is not the villain; it is merely a tool. The villain is the internalized logic of the marketplace: if something is difficult, or boring, or painful, you can simply find a newer, shinier model.
Doremus visualizes this emotional fragmentation through his signature intimate, vérité-style cinematography. The camera lingers on faces in extreme close-up, capturing every micro-expression of desire, doubt, and disgust. The Los Angeles setting is deliberately cold and sleek—all glass condos and glowing smartphone screens—a stark contrast to the messy, sweaty, tear-stained arguments that take place inside. The soundtrack, a pulsing ambient score, swells when the couple is disconnected, alone together in the same bed but scrolling through separate digital universes.
The film’s third act is an unflinching look at polyamory as a failed cure for the fear of missing out. In a desperate bid to save their relationship, Martin and Gabi open it up, only to discover that novelty is not the same as intimacy. The threesome with a charming stranger (Matthew Gray Gubler) is not liberating; it is a surgical demonstration of their emotional bankruptcy. They realize, too late, that the "newness" they crave is not a different person, but a different version of themselves—one that is capable of trusting without verifying, and loving without an escape plan.
Newness does not offer easy answers, nor does it end with a Hollywood reconciliation. The final shots are ambiguous: the couple reunites, but the camera lingers on the notification light of a smartphone blinking in the dark. The implication is haunting. They may choose each other for now, but the architecture of choice remains all around them, whispering that someone better is just a swipe away.
In conclusion, Newness is a vital document of its time. It refuses to blame technology for the failures of the human heart, instead pointing the finger inward. The film suggests that the greatest threat to modern love is not infidelity or incompatibility, but the illusion of infinite alternatives. We have traded the agony of loneliness for the paralysis of abundance. To watch Newness is to see a generation caught in a hall of mirrors, mistaking the reflection of their own desire for the real warmth of another soul. It is a cautionary tale that asks a simple, devastating question: In a world where you can have anyone, how do you learn to want just one?
Released in 2017, Newness is a romantic drama that explores the complexities of modern dating and relationships in the age of social media and hookup apps. Directed by Drake Doremus, the film stars Nicholas Hoult and Laia Costa as a couple navigating the boundaries of emotional and physical intimacy. Core Premise & Plot
The story follows Martin (Hoult) and Gabi (Costa), two millennials in Los Angeles who meet through a hookup app. After an instant connection, they quickly begin a serious relationship. However, as the "newness" of their romance begins to fade, they face the boredom and habitual nature of long-term commitment. To save their bond, they decide to experiment with an open relationship, which leads to unexpected emotional turmoil and forces them to confront what they truly want from a partner. Key Details Director: Drake Doremus (known for Like Crazy)
Lead Cast: Nicholas Hoult (Martin), Laia Costa (Gabi), Danny Huston (Larry), and Courtney Eaton (Blake) Genre: Drama / Romance Runtime: 1 hour 57 minutes
Content Warning: The film is rated R for strong sexual content, nudity, and language. Critical Reception
Theme: Critics often highlight the film's "raw look" at how digital culture affects human connection.
Visual Style: True to Doremus’s style, the film features intimate, handheld cinematography and a significant amount of improvised dialogue to create a sense of realism. nonton newness -2017-
Ratings: It holds a mixed-to-positive reception, with a 6.3/10 on IMDb and a 63% audience score on Rotten Tomatoes. Where to Watch
You can typically find Newness available for streaming or purchase on platforms such as: Netflix (availability varies by region) Amazon Prime Video Apple TV / iTunes Parents guide - Newness (2017) - IMDb
The Indonesian Film Industry: A Review of "Nonton Newness" (2017) and Its Impact on the Nation's Cinema
The Indonesian film industry has experienced significant growth over the years, with a surge in local productions that cater to the diverse tastes of the nation's cinema-goers. One such film that gained attention in 2017 was "Nonton Newness," a thought-provoking movie that explored themes of relationships, technology, and human connection. In this article, we will review the film, discuss its impact on the Indonesian film industry, and examine the current state of cinema in Indonesia.
What is "Nonton Newness"?
"Nonton Newness" is a 2017 Indonesian film directed by Mouly Surya, a renowned filmmaker known for her critically acclaimed debut film "The Forgiven" (2005). The movie follows the story of a young woman named Lila, who forms an unlikely connection with a stranger, Dewa, through a dating app. As their relationship deepens, they begin to question the boundaries of love, intimacy, and human connection in the digital age.
The film features a talented cast, including Anissa Rawles, Frederik Alexander, and Rio Ramadhan. With its unique blend of drama, romance, and social commentary, "Nonton Newness" sparked interesting discussions among audiences and critics alike.
The Film's Reception and Impact
Upon its release, "Nonton Newness" garnered significant attention from Indonesian film enthusiasts and critics. The movie premiered at the 2017 Jakarta International Film Festival, where it received positive reviews for its thought-provoking storyline and strong performances.
The film's success can be attributed to its timely release, as it coincided with the growing concern about the impact of technology on human relationships. The movie's exploration of online dating, social media, and the blurring of boundaries between the physical and digital worlds resonated with Indonesian audiences, particularly the younger generation.
The Indonesian Film Industry: Trends and Challenges
The success of "Nonton Newness" is a testament to the growth and evolution of the Indonesian film industry. Over the years, Indonesian cinema has experienced a resurgence, with a significant increase in local productions and a growing audience base. In the landscape of modern romance, the path
According to the Indonesian Film Board (Kementerian Pendidikan dan Kebudayaan), the country's film industry produced over 1,000 films in 2020, with a total audience of over 30 million people. This growth can be attributed to various factors, including government support, improved infrastructure, and the rise of streaming platforms.
However, the Indonesian film industry still faces several challenges, including:
The Future of Indonesian Cinema
Despite these challenges, the Indonesian film industry has a bright future ahead. The success of films like "Nonton Newness" demonstrates the appetite for high-quality, thought-provoking content that resonates with local audiences.
To support the growth of the industry, the Indonesian government has implemented initiatives such as:
Conclusion
"Nonton Newness" (2017) is a significant film that showcases the growth and evolution of the Indonesian film industry. The movie's exploration of relationships, technology, and human connection resonated with audiences and critics alike, sparking important discussions about the impact of technology on society.
As the Indonesian film industry continues to grow and evolve, it is essential to address the challenges it faces, including piracy, competition from international films, and limited funding and resources. With government support, improved infrastructure, and a growing audience base, the future of Indonesian cinema looks bright.
If you're interested in exploring more Indonesian films, "Nonton Newness" is a great starting point. With its thought-provoking storyline and strong performances, it's a movie that will leave you thinking long after the credits roll.
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Meta description: Review of the Indonesian film "Nonton Newness" (2017) and its impact on the nation's cinema. Explore the growth and evolution of the Indonesian film industry, its challenges, and the future of Indonesian cinema. The Future of Indonesian Cinema Despite these challenges,
The 2017 film , directed by Drake Doremus, is a clinical yet intimate dissection of how "swipe culture" has rewired our emotional expectations. While it centers on two millennials, Martin and Gabi, navigating an open relationship, its deeper "newness" refers to the psychological addiction to the unfamiliar—the chase for that first spark that eventually erodes the capacity for long-term stability. The Core Conflict: Boredom vs. Intimacy
The Trap of "The Next Best Thing": The film highlights a modern paradox: with an infinite "market" of partners just a swipe away, any minor flaw in a current partner becomes a reason to seek a replacement. Gabi admits she is "addicted to newness," equating the excitement of a first encounter with true fulfillment.
The Facade of Radical Honesty: The couple attempts an open relationship based on total transparency to bypass jealousy. However, the film suggests that this "honesty" often serves as a defense mechanism to avoid the vulnerability of truly being known—and thus truly potentially hurt.
Performance vs. Reality: Digital dating forces individuals to perform an "ideal" version of themselves. The film's cinematography uses a "suffocating" shallow focus to mirror this—everything else is blurred except the immediate, intense connection between the two leads, creating an isolating, almost clinical atmosphere. Key Thematic Symbols Newness (2017): A Modern Love Story - Secure2
In the landscape of modern romance cinema, Drake Doremus’ Newness operates as a quiet, unflinching ethnography of the digital age. While films like Her explored the emotional capabilities of Artificial Intelligence, and Searching utilized the screen-life format for thriller mechanics, Newness sits somewhere more uncomfortable: it is a drama about the exhausting labor of love in the era of infinite choice.
Starring Nicholas Hoult and Laia Costa as Martin and Gabi, the film is not a love story about meeting "the one"; it is a story about the terrifying realization that "the one" might be a statistical impossibility when better options are just a thumb-swipe away.
Berlatar di Los Angeles yang hiper-konektif, Newness mengikuti kisah Martin (Nicholas Hoult), seorang apoteker muda, dan Gabi (Laia Costa), seorang mahasiswa PhD. Mereka bertemu melalui aplikasi kencan (fiksi) bernama "Winx". Awalnya, hubungan mereka berjalan seperti dongeng modern: penuh gairah, eksplorasi seksual yang intens, dan rasa penasaran satu sama lain.
Namun, masalah mulai muncul ketika fase "bulan madu" berakhir. Karena terbiasa dengan instant gratification dari dunia digital—di mana pasangan baru selalu tersedia dalam satu kali gesekan—Martin dan Gabi mulai merasa bosan. Mereka mengambil keputusan kontroversial: membuka hubungan (open relationship). Mereka mencoba "threesome" dan hubungan bebas tanpa ikatan. Alih-alih menyelamatkan cinta mereka, keputusan ini justru melukai kepercayaan dan memicu rasa cemburu yang toksik.
Film ini bukan anti-teknologi, melainkan kritik terhadap ilusi bahwa "pilihan tanpa batas" akan membuat kita bahagia. Nonton Newness -2017- memberikan sensasi tidak nyaman yang jujur: bahwa cinta di era Tinder membutuhkan lebih dari sekadar kimia fisik; ia membutuhkan kerentanan.
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