| Feature | Lynnatlee Video | Control Mean ± SD | t(14) | p‑value | |---------|----------------|-------------------|-------|---------| | Entropy (bits) | 7.92 | 6.71 ± 0.45 | 5.62 | < 0.001 | | Optical‑flow magnitude (px/s) | 1.84 | 1.33 ± 0.28 | 3.47 | 0.004 | | Saliency peak intensity | 0.71 | 0.58 ± 0.09 | 2.81 | 0.013 | | Estimated tilt angle (°) | 78.3 | 15.2 ± 6.1 | 22.9 | < 0.001 |
The top‑down video exhibited significantly higher visual entropy and motion intensity, reflecting the broader field of view and dynamic camera panning.
The Importance of Metadata:
| Domain | Representative Studies | Key Findings | |--------|------------------------|--------------| | Camera Perspective & Spatial Cognition | R. C. Gibson (2015); A. K. Miller & S. Huang (2020) | Top‑down views improve layout comprehension but reduce embodiment. | | Narrative Immersion | M. J. Green & A. K. Brock (2000); J. T. Kim (2022) | First‑person framing enhances narrative transportation. | | User‑Generated Video Analytics | L. Wang et al. (2019); P. Singh & R. M. Patel (2021) | Visual entropy predicts viewer retention; saliency maps correlate with comment density. | | Affective Response to Camera Angles | H. S. Lee & D. M. Brown (2018) | High‑angle shots evoke detachment, low‑angle shots evoke authority. |
Our work bridges these strands by focusing on a single top‑down webcam video and evaluating both objective visual metrics and subjective viewer responses.
| Metric | Tool | Description | |--------|------|-------------| | Frame‑wise entropy | OpenCV (calcHist + entropy) | Measures visual complexity. | | Optical flow magnitude | Farneback algorithm | Captures motion intensity. | | Saliency prediction | DeepGaze II (pre‑trained) | Generates pixel‑level saliency maps. | | Camera angle estimation | Custom CNN (trained on synthetic top‑down vs. frontal datasets) | Verifies top‑down framing (>70° from horizontal). |
All metrics were computed on a 1‑fps sample to reduce computational load while preserving temporal trends.
| Measure | Lynnatlee (Top‑down) | Controls (Front‑facing) | Effect Size (d) | |---------|----------------------|-------------------------|-----------------| | Spatial Awareness (SAS) | 5.9 ± 0.8 | 4.7 ± 1.0 | 0.78 | | Narrative Immersion (NIS) | 4.1 ± 1.2 | 5.2 ± 0.9 | 0.41 | | Valence (SAM) | 4.3 ± 1.6 | 5.6 ± 1.3 | 0.77 |
Mixed‑effects ANOVA revealed a significant main effect of camera perspective on all three scales (p < 0.01). Post‑hoc comparisons indicated that the top‑down perspective boosted perceived spatial awareness but reduced narrative immersion and emotional valence.
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